The Rooster, 8x10 inches oil on canvas panel by Kenney Mencher
FREE SHIPPING Shipping takes 3-4 Weeks This ships from Round Lake Beach, Illinois. A suburb outside of Chicago. I use UPS and sometimes US Post.
This man’s face appealed to me on several levels. I love his mohawk hair and shaved sides. He kind of looked like a rooster to me that faux hawk sticking up over the top of his head. It kind of reminded me a little bit of David Sedaris’ essays about his family and his little brother that he calls “The Rooster.”
Portraits like this are one of my favorite things to paint. This goes all the way back to my childhood when I had a wonderful teacher in junior high school who invited me to stay late after school and he spent an hour and a half going over the proportions of the face and the individual features of the face. This lesson was so inspiring that for years after that I spent a good part of my free time drawing interesting and beautiful faces out of magazines and photo books for years.
This is one of a group of paintings that were worked on over the course of a week or two in a more layered approach. It began more as a rough sketch on the canvas panel that I worked out a little bit more with crayon and worked out the shading and environment using my imagination. Over the next couple of days the painting was developed more.
The next couple of days were spent working on an underpainting that began his thin washes of oil paint and ended up with thicker more opaque layers.
The finishing day that I worked on this painting I attempted to build up the surface is more and enhance the textures so that the paint textures matched a little bit more closely the physicality or textures of the figures and the environment they are in.
FREE SHIPPING Shipping takes 3-4 Weeks This ships from Round Lake Beach, Illinois. A suburb outside of Chicago. I use UPS and sometimes US Post.
This man’s face appealed to me on several levels. I love his mohawk hair and shaved sides. He kind of looked like a rooster to me that faux hawk sticking up over the top of his head. It kind of reminded me a little bit of David Sedaris’ essays about his family and his little brother that he calls “The Rooster.”
Portraits like this are one of my favorite things to paint. This goes all the way back to my childhood when I had a wonderful teacher in junior high school who invited me to stay late after school and he spent an hour and a half going over the proportions of the face and the individual features of the face. This lesson was so inspiring that for years after that I spent a good part of my free time drawing interesting and beautiful faces out of magazines and photo books for years.
This is one of a group of paintings that were worked on over the course of a week or two in a more layered approach. It began more as a rough sketch on the canvas panel that I worked out a little bit more with crayon and worked out the shading and environment using my imagination. Over the next couple of days the painting was developed more.
The next couple of days were spent working on an underpainting that began his thin washes of oil paint and ended up with thicker more opaque layers.
The finishing day that I worked on this painting I attempted to build up the surface is more and enhance the textures so that the paint textures matched a little bit more closely the physicality or textures of the figures and the environment they are in.
FREE SHIPPING Shipping takes 3-4 Weeks This ships from Round Lake Beach, Illinois. A suburb outside of Chicago. I use UPS and sometimes US Post.
This man’s face appealed to me on several levels. I love his mohawk hair and shaved sides. He kind of looked like a rooster to me that faux hawk sticking up over the top of his head. It kind of reminded me a little bit of David Sedaris’ essays about his family and his little brother that he calls “The Rooster.”
Portraits like this are one of my favorite things to paint. This goes all the way back to my childhood when I had a wonderful teacher in junior high school who invited me to stay late after school and he spent an hour and a half going over the proportions of the face and the individual features of the face. This lesson was so inspiring that for years after that I spent a good part of my free time drawing interesting and beautiful faces out of magazines and photo books for years.
This is one of a group of paintings that were worked on over the course of a week or two in a more layered approach. It began more as a rough sketch on the canvas panel that I worked out a little bit more with crayon and worked out the shading and environment using my imagination. Over the next couple of days the painting was developed more.
The next couple of days were spent working on an underpainting that began his thin washes of oil paint and ended up with thicker more opaque layers.
The finishing day that I worked on this painting I attempted to build up the surface is more and enhance the textures so that the paint textures matched a little bit more closely the physicality or textures of the figures and the environment they are in.
